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Отправлено: 14.04.09 13:28. Заголовок: Тюдоры 4-й сезон
Хорошие новости - Тюдоры с Джонатаном Рис Майерсом в роди сумасшедшего Короля Генриха 4 продолжаться четвертым сезоном, который покажут весной 2010 года. Плохие новости - это будет последний сезон.
Эксклюзивный продюсер Майкл Херст сказал - " Серии Тюдоров дают нам не в последнюю очередь наблюдать за другими представителями династии Тюдоров. Елизавета умерла, но Мэри и Эдвард нет , также как и отец Генриха."
В четвертом сезоне будет 10 серий продолжительностью по часу и будет фокусироваться на отношениях Короля Генриха с его последними двумя женами - Кэтрин Ховард и Кэтрин Парр. http://jonathanforever.ucoz.ru/news/2009-04-14-98
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Отправлено: 16.04.09 19:31. Заголовок: Новые сезоны Тюдоров..
Новые сезоны Тюдоров будут снимать летом))) Будем ждать фот со съемок Directors vie to take Tudors reins
22 hours ago
Several Irish directors are vying to handle new episodes of The Tudors when the fourth series begins filming in the country in the summer.
It is not known who is in negotiations but previous home-grown stars to get behind the camera include Shameless director Dearbhla Walsh and Cold Feet's Ciaran Donnelly.
The latest series of the Emmy and IFTA award winning show will be in production for five months and employ more than 200 cast and crew and 4,500 extras. The show stars Cork actor Jonathan Rhys Meyers and focuses on the turbulent early years of King Henry VIII. http://www.google.com/hostednews/ukpress/article/ALeqM5jlw3tZyg0jcosiRCJtPfoApvLBcw
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Отправлено: 22.04.09 23:51. Заголовок: The Tudors’ Set To R..
The Tudors’ Set To Return To Film In Ireland For The 4th Year Running
America’s Showtime has given the fourth season of award winning series THE TUDORS the green light and shooting will take place this summer. Jonathan Rhys Meyers will return to star as King Henry VIII in the series which focuses on the turbulent early years of his reign as King of England.
This Emmy and IFTA award winning US series has shot on location in Ireland for the last three years in Ardmore Studios and at film locations around Dublin and Wicklow. The new series will go into production for five months over the summer with an Irish budget of ?20 million. Over 200 Irish cast and crew, as well as 4500 film extras, will be hired to produce the series for the Showtime Network. Recent improvements to the Irish tax incentive for film and television Section 481 as well as extended storylines means that this season will consist of ten episodes instead of the normal eight, contributing a further boost to the Irish film and television sector in 2009.
The Irish cast and crew are highly regarded with Irish costume designer Joan Bergin already scooping two Emmy’s for her costume designs on the series as well as a nomination at this years American Costume Designers Guild Awards. Jonathan Rhys Meyers was nominated for a Golden Globe earlier this year for his performance in the series and production designer Tom Conroy (Breakfast on Pluto) received a nomination at this year’s Art Directors Guild for his work as a production designer on the series.
A number of Irish directors are in negotiations to handle episodes on the upcoming series the series. Irish directors who have worked previously worked on the show include Derbhla Walsh, Ciaran Donnelly, Brian Kirk and Colm McCarthy.
Previous locations used by The Tudors include Christchurch Cathedral, Kilruddery House, City Hall in Dublin and Kilmainham Jail.
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Отправлено: 21.05.09 23:40. Заголовок: A chance to film wit..
A chance to film with Rhys Meyers
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By Dubliners' Diary
Thursday May 21 2009
Fans of Hollywood hunk Jonathan Rhys Meyers, take note. Here's your chance to get up close and personal with the Cork-born star in the latest installment of the award-winning historical drama The Tudors.
The producers of the hit show have put out a casting call to find thousands of extras for the final series of the programme, which will start filming this summer.
Playing the part of King Henry VIII, Rhys Meyers has been getting rave reviews in the series which will be filmed in various locations around Ireland shortly.
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Отправлено: 15.06.09 22:48. Заголовок: Съемки сериала начал..
Съемки сериала начались вчера) УРА)
The Tudors Shooting is scheduled to begin in Dublin on Monday, 15 June, on the fourth and final series of ‘The Tudors’. Morgan O’Sullivan returns as executive producer, with Dearbhla Walsh (Little Dorrit), IFTA winner Ciaran Donnelly and Jeremy Podewsa (Fugitive Pieces) directing.
Ten episodes have been commissioned for the series which carries a budget of ?20 million. Written by Michael Hirst, crew includes DOP Ousam Rawi and IFTA and Emmy winning costume designer Joan Bergin returning to work alongside Production Designer Tom Conroy. Editing will take place in Canada.
The shoot is anticipated to last six months and is scheduled to take place on various locations in Ireland including Ardmore Studios in Co. Wicklow, Kilruddery House and Powerscourt Gardens.
Returning cast for the series includes Jonathan Rhys Meyers, Sarah Bolger, Joss Stone, Max Brown, Henry Cavill and Tamzin Merchant - in addition to an anticipated reserve of thousands of extras.
Earlier this year the second series of 'The Tudors' picked up six IFTA’s including; Best Drama Series / Soap, Best Director of Television, Actor in a Supporting Role Television, Actress in a Supporting Role Television, Costume Design and Makeup and Hair.
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Отправлено: 17.06.09 22:56. Заголовок: David O'Hara has..
David O'Hara has joined Showtime's "The Tudors" as a recurring.
On the drama series about the reign and love life of Henry VIII (Jonathan Rhys Meyers), which is shooting its fourth and final season in Ireland, O'Hara plays the Earl of Surrey, the son and heir of the Duke of Norfolk. He is the arrogant but sensitive scion of an ancient family.
Scot O'Hara also has landed a role on the final installment of the "Harry Potter" series, "Harry Potter and the Deathly Hallows," on which he will play Albert Runcorn, a Ministry of Magic employee who gets impersonated by Potter to get into the Ministry.
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Отправлено: 14.08.09 19:27. Заголовок: Louise Kavanagh had ..
Louise Kavanagh had a passionate smooch with Hollywood hunk Jonathan Rhys Meyers this week.
But before her boyfriend Andy Quirke flies into a jealous rage, the Diary can reveal that their kiss was filmed for the saucy new series of The Tudors.
Lucky Louise swapped her bikini for a bosom-enhancing medieval outfit after being plucked to portray one of the comely wenches at a huge banquet in the court of King Henry VIII.
She said: "I got a call saying 'you're wanted on the set of the Tudors'. I didn't do a casting.
"The scene basically saw the king looking for a hot new replacement for his old wife, Anne Boleyn, so he threw a big party and invited all the eligible, good-looking women to come," she explained.
"It was this banquet where everyone's supposed to be drunk and having a great time and all the women are going up to him as if to say 'what about me?'
"We played the daughters of local noblemen, so we had our boobs pushed up to our chins in these really tight dresses.
"Then he starts kissing a few of us and I thought he was going to improvise but he started giving me this sensual kiss!"
Louise admitted she found it hard to act natural after being wrapped up in an embrace by the Cork-born actor, who has no shortage of female fans.
She said: "I was trying to be all cool but my legs were shaking. I was starstruck.
"I rang Sara Kavanagh straight afterwards and I was like 'you'll never guess what happened to me today'. Talk about a good day at the office!"
Explaining
However, she did have a little bit of explaining to do when she told boyfriend Andy.
She said: "I'm sure he wasn't too happy but I had to tell him. He was a bit like 'oh really?', but I explained that it was just for a part and that it didn't mean anything!" she laughed.
Louise also revealed that she has harboured a long term crush on the actor, who recently re-united with girlfriend Reena Hammer in Dublin.
She said: "When I used to work in Brown Thomas, I remember he came into the store one day, and I thought he was just gorgeous.
"He was really sound on the set too, he was having the banter with all the extras and chatting away to us."
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Отправлено: 19.08.09 20:46. Заголовок: Hey, remember when I..
Hey, remember when I waxed all poetic about what TV series to catch up on over the summer? Well, I decided for myself that I’d start on watching The Tudors. Why did I do that?
Based, obviously, on the perpetually fascinating life of King Henry VIII, The Tudors bears the mark of everything Showtime knows how to do right–and wrong. Like Queer as Folk (and, for that matter, anything Showtime likes to show into the late night hours), it’s M.O. is to be a little salacious and sexy and racy. In this way, they do well. Jonathan Rhys Meyers‘ Henry gives a very mission-statement-esque portrayal of a young, vigorous Henry, constantly occupied with sinking his teeth into the flesh of either ripe dripping fruit or ripe dripping ladies. Like Weeds, this makes the portrayal of Henry a little unorthodox–not the buttoned up, boring BBC view of history one usually gets.
In this way, Tudors should be great. Making viewers able to see the historical figures as real people with real modern wants and needs makes it much more accessible for the massess–and me. Unfortunately, Showtime takes this great premise and then, basically, fucks it to death. In what I see as the following ways:
1. Jonathan Rhys Meyers. I am not sure there is any more unlikeable actor of his age range. Or others, for that matter. True, I haven’t met him, and there is always the possibility that in person he is a pussycat, he comes off as possibly the most angry and egotistical man yet to walk the earth. Who, perhaps, spends every last second of his time looking in the mirror and admiring his own lips. In case you doubt this, I will just tell you that his real name is Johnny O’Keefe, so he even had to cook up a more pretentious name for himself. I get that this makes perfect casting sense for Henry–it is casting perfectly within type–but it still makes him hard to watch.
2. Other casting. Sure, I like Gabrielle Anwar. I even think she is sort of fun in her role. I also think she is about 20 years older than her character would have been, and 20 times tanner. Seriously, a near-40 yet unmarried English royal who looks like she’s been laying on the Rivera for a decade? Not so much. And don’t get me started on the girl who plays Anne Boleyn. Please note: Irish actress Maria Doyle Kennedy who plays Catherine of Aragon so well that I was certain she was actually Spanish is a complete exception to this rule.
3. Overacting. There seems to be a general directive on this show to chew the living shit out of the scenery. I’m not sure why this is necessary, but to has basically turned an English (i.e. reserved) historical drama into a Spanish telenovella. The melodrama is so excruciating that this, in the end, is what broke me. After watching people grunt and mug and yelp and all but put their hand to their brow and fan themselves, my husband and I couldn’t take it anymore. JRM’s terrible arm wrestling match at the end of Season 1 Disk 2 was the nail in the coffin. We sent it back to Netflix and took the rest of the disks off our list.
4. Historical inaccuracies. What kept us in it for even Disk 2 was the real parts of the Henry VIII story. I generally find history pretty boring, but if you turn it into a movie or TV show suddenly the medicine goes down much easier–more like entertainment. Of course, I understand there is liberty taken in this situation. But when after an episode in which I see Henry VIII’s sister Princess Margaret kill her husband, the King of Portugal, I run to Wikipedia and discover that actually she is a composite of two of Henry’s sisters, one of whom married the King of France, who died several months later of natural causes, I can’t take it anymore. The real story has more than enough twists and intrigue of its own; why say you’re doing a story on Henry VIII and then just start making things up?
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Отправлено: 01.09.09 22:38. Заголовок: Johnny O'Keeffe ..
Johnny O'Keeffe was one of the many mega-celebrities that turned up to Croker last Sunday to see Cork trounce Tyrone in the All-Ireland semi-final. The North Mon actor turned up with a pure Glanmire head on him, an old feen in a leather jacket and a fancy lookin' old doll to boot.
After the match the Hollywood star, also known outside Cork as Jonathan Rhys Meyers was in flying form as he left the Hogan Stand, posing for pictures with old dolls outside Gills Corner House where the Rebel Army, and some bewildered looking Tyrone supporters were taking liquid and pondering the game.
Not one to skirt on too quickly, the War of the Buttons star stalled on to let most old dolls with camera phones take a shot of him - the excitement of Keefa's extending lips and serious face pose for the photos sent several young females into hysterics causing them to spill their pints and wee uncontrollably on the spot.
Meanwhile, having smashed the Irish 100m hurdle record last week Derval O'Rourke led the Munster team to victory in the half time athletics contest in Croke Park. This was proceeded by another Cork victory: 20K walker Olive Loughnane who won silver at the World Championship was given a huge reception by Cork fans as she led the provinces on to the turf.
The sprint event was held as part of the 125th anniversary of the GAA - half time athletics were part and parcel of match days in days gone by.
Although she didn't bag a medal at the world championships Derval did smash the Irish record (created by the Cork woman herself) of 12.72 seconds. She was joined by another Cork super-woman and ladies footballer Angela Walsh (as well as a few other nobodies from other counties) and succeeded in fending off the challenge from Ulster. O'Rourke with Cork crowd roaring her on to inevitable victory
Much like the men's football, Leinster and Conaught put in pitiful performances. Angela and her team continue their quest to become the first team ever to do a five-in-a-row in the TG4 Ladies All-Ireland football championship.
Singer Bob Marley also turned up on Hill 16 for the big game action wearing his usual low-key disguise known to many Corkonians. The former reggae star and recluse now lives in The Glen in Cork but made the journey to Croker on Sunday with a few friends to show his solidarity with the boys.
The smell of freedom across the Hill at full time was a sure sign that the Kingston King enjoyed the scintillating performance of Graham Canty's men. Despite requests from fans that he join them for a few pints and songs at The Big Tree, Marley made a beeline for the Rebel County directly after the game - it has been reported that Marley suffers from nausia if he's away from The Glen too long. http://www.peoplesrepublicofcork.com/index.php?name=News&file=article&sid=881
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Отправлено: 23.11.09 23:34. Заголовок: Ещё про то что Тюдор..
Ещё про то что Тюдоры выходят 11 апреля Look for royal domination when 'The Tudors' returns for a final round of royalty, mayhem, and wives on April 11, 2010.
'The Tudors' star Jonathan Rhys-Meyers has drawn wide acclaim as Henry VIII, and was nominated for a Best Actor Golden Globe two years in a row. 'Tudors' co-star and longtime friend James Frain says Rhys-Myers has really "owned" the show, which will wrap next year after four seasons.
"I have known Johnny for a while -- I did a movie with him in '97 called 'Titus,' right when we were both starting out," Frain told us at last week's Hollywood premiere of his film 'Everybody's Fine.' "It's really cool to see him be like 'the star' that he's become, and really just own that, and take that into being this great, incredible character."
This season will have 10 episodes and be written by series creator Michael Hirst, who has written all previous three seasons' 28 shows. 'The Tudors' is a four-time Emmy winner, and a Golden Globe nominee for Best Drama Series.
New to the cast this year is Joely Richardson ('Nip/Tuck') as Katherine Parr, the last of Henry VIII's six wives.
Тюдоры заканчиваються Special Feature: Irish ‘Tudors’ Era Comes to an End
25 Nov 2009 | By Aileen Moon
The Tudors To mark the end of ‘The Tudors’ shoot IFTN caught up with writer, creator and executive producer of ‘The Tudors’ Michael Hirst; one of the series’ key directors, Ciarán Donnelly and location manager Edmund Sampson to discuss highs, lows and day-to-day workings of the historic series.
And thus it has come to pass that the gargantuan operation that was the filming of ‘The Tudors’ has come to an end. The days of cavorting in the Wicklow hillsides, brooding at extravagant balls and seeing off wife after wife has come to an end for Jonathan Rhys Meyers’ Henry Tudor. The historical drama series from Showtime has introduced an image of unparalleled glamour and sexiness into the Tudor era. It chronicles the life and times of King Henry VIII, played by Jonathan Rhys Meyers, and sheds light on his veritable parade of wives and (sometimes questionable) political moves that changed the face of England, and beyond.
The show, shot entirely in Ireland, has proved to be immensely popular with audiences around the world – when broadcast on BBC in August of this year the first episode of the penultimate series saw an average audience of 2.3 million tuning in.
But how did it all start? What is it about Henry Tudor that inspired Michael Hirst to put pen to paper?
The Tudors
Michael Hirst Well it was actually an accident that I started to write ‘The Tudors’, it was the same situation as ‘Elizabeth’ - someone approached me to write it and I did. But it was a very happy accident of course, they are just fantastically rich and dramatic episodes of history. As to my interest in that period of time, Henry and indeed Elizabeth are very iconic English monarchs and more seemed to happen within English society and religious life during their reigns than in any other period during English history. After all, we stopped being a catholic country and became a protestant country in a very short period of time and certainly writing The Tudors - which is like thirty eight hours of TV - I was never short of material, I never had to scratch my head and think “Where do I go now?” because there was always something very, very dramatic happening. I love historical material anyway and this time is so rich and fascinating.
Many people still think of Henry as this big bloated fat guy that they see in portraits but that was only the case in the last years of his life. People know, or knew, very little about Henry’s early life and there are a lot of clichés about Henry and his wives which people have accepted uncritically and I was interested to examine and humanise these. And I was aware, of course, that it had to be entertaining because if drama isn’t entertaining it won’t work and, ultimately, it will be pulled.
Director Ciaran Donnelly
‘The Tudors’ episodes have been helmed by several directors. Talent such as Emmy winner Dearbhla Walsh (Little Dorrit), Jeremy Podeswa (The Five Senses) and Steve Shill (Dexter) joined Ciarán Donnelly in bring Michael Hirst’s vision to life. Donnelly, who won an Irish Film & Television Award in 2009 for his work on the series, describes how the concept of ‘The Tudors’ was explained firstly to Michael Hirst and subsequently passed on:
Ciarán Donnelly The vision or idea of the series is very, very simple. The idea of the series, as it was pitched to Michael, is ‘The West Wing in the Tudor era’ so essentially you’ve got a president or a king and a number of people who are or are not on his side, politically speaking. The power that this man has is God-like, he has the power of life over death. And that was basically it – it’s a court; a political court, a social court, a gossip court. . . it’s essentially a precinct.
Armed with this vision of ‘The Tudors’ cast and crew set to work in May 2006. At this point Michael harboured hopes that the show would run for four series but, as with every pilot, the writer knew that nothing was certain:
MH: I always wanted it to go the four series, because that was how it had panned out in my head, but I absolutely never knew that we were going to go that far. Sometimes you can’t tell beforehand, you don’t know and all you can do is hope that you are writing something that will connect with people but you can’t know that it is going to happen. And then when you slowly become aware that it is happening then you feel humbled and moved. There is still a kind of magic to it. As a writer you are just stuck in a room somewhere writing this stuff on your own and you don’t know whether it is going to connect and it’s wonderful that ‘The Tudors’ has.
So, what has been the secret to success of ‘The Tudors’? Michael has a theory:
MH: There are a number of things at play. I think the show works at a soap opera level and I think people get embedded in the characters simply through wanting to know what happens next. I think in America it’s called ‘Addicted to Television’ - once you start watching it you can’t stop because you are desperate to know what happens and, of course, with ‘The Tudors’ I think the audiences is often involved in the story, in the characters and, as I say, the production values were extremely high and it seemed to work across cultures, ages and sexes – although I would say probably the biggest audience for the Tudors is women.
I think another reason why these things have worked so well is because I never looked at the show from the outside in - I didn’t look at Henry as an iconic being, I looked at the show from the point of view of the characters – human beings in extreme situations and then wondered how they would react, as human beings, in those situations and I think that people connect with that. I have taken these people out of the museum and that is the simplest way of putting it.
Director Ciarán Donnelly has further musings on the subject, describing how different directors brought their creativity to the series.
CD: I think each director brought new elements to the show. We are all given a script which we have to make work. We want to try and put our stamp on it, keep it visually interesting and try to get scenes out of the sets and onto locations as much as we can so there is a constant discussion going on which means everyone is on the same wavelength.
You are not introducing a system, as such, but what individual directors have been able to do on this show (unlike a lot of US TV shows) is to put our own stamp on it in terms of how we would visualise things and I think it is only fair to say that you might spot a Dearbhla episode being different to a Ciarán episode which in turn is different to a Jeremy Podeswa episode. If you’re familiar with the show you can probably spot the changes, which adds an extra layer to the show.
The Tudors
Furthermore, I think the directors are well fitted to their episodes, for example in the third series the first four episodes are about a rebellion against King Henry which is called The Pilgrim of Grace. That was a four hour story line and they needed a director who was visually cinematic in television terms, could handle action, some battle scenes and things like that as well as a strong character actors’ director – they chose me for that. Then there would perhaps be another director who wouldn’t have been appropriate for that but would have been more character led. What they do is they say “This director fits this storyline”, that is really how they divide it up and it works the best, obviously.
‘The Tudors’ has come under fire somewhat for giving audiences a ‘Hollywood’ version of the historic events shown in the series. So what was more important to the team – historic accuracy or aesthetically pleasing television and scandalous storylines?
MH: Well, I am first and foremost a dramatist - I was commissioned in the case of ‘The Tudors’ to write dramas not historical biographies or historical programmes. If I had been asked to write historical documentaries I would have gone about it in a different way. In terms of showing Tudor life, the show is remarkably true to history as reported by historians (but you can’t always trust historians because they contradict each other anyway). I am often criticised by people (who honestly don’t know the history themselves) and one historian in particular who has attacked me consistently, and though I think it is drama before all else ‘The Tudors’ is remarkably true to the general thrust of history.
But, there’s more than just that - I know for a fact because I get a lot of feedback that the show encourages people to go and look at the history books themselves, it galvanises the study of history and not just here but in America and all over the world. ‘The Tudors’ is now being shown in over 70 countries so many, many millions of people are watching it and absorbed by it and, as I say, it is encouraging the study of history. Now, although that is not one of my objectives it has been one of the results and I am extremely pleased.
And when it came to the locations used in the four series – was historical accuracy paramount or did logistics rule? Locations Manager Edmund Samson explains:
The Tudors on location
Edmund Sampson: Time and accessibility are huge considerations but primarily it is the aesthetics that I look for. If (production designer) Tom Conroy and his team can achieve something beautiful within that environment we primarily look at that and then after that we service it to be historically correct.
The show’s audiences have been privy to King Henry strolling around the grounds of Christ Church, riding across the hills of Wicklow and have seen Dublin Castle transformed into the Vatican City. Did Michael have Ireland in mind when he wrote ‘The Tudors’?
MH No, I was developing the series with Showtime and initially I didn’t have any clue of where they were thinking of shooting it. They then revealed they were going to shoot it in Ireland, partly because of the tax breaks and also because they had a relationship with Morgan O’Sullivan at Ardmore. So I met Morgan for the first time then and we are really the best of friends now, very close. It has been an incredible journey for me with him, with the whole crew and set-up in Ireland was fantastic, I’ll miss that yearly experience probably more then anything else. Just going over to Ireland for three or four months every year has been an extraordinary and wonderful experience for me and the crew, I don’t think you would get a crew like that in any other country, certainly not in America or England. They were absolutely wonderful and professional and I just had a ball.
And did location manager Edmund Sampson have as good of a time finding the required locations?
ES: The thing about ‘The Tudors’ is that it was a mammoth undertaking - nobody had done anything of this scale in television drama before in Ireland and it posed a series of challenges.
There were two elements that worked together when we were considering our various locations: a) aesthetically how they worked for Tom Conroy and b) practically - if we could film them, whether they were nearby and accessible etc. And that’s why the close-knit environment of Ardmore, the rest of Wicklow and Dublin was such a successful location and position for us to be in because in a very small area we had a series of fantastic locations that enabled us to achieve the award winning look of ‘The Tudors’. You can hop from an army on the rise marching over the hill to Henry walking through his gardens with whichever wife he was with at the time and then you hop into Dublin and you have amazing locations like Christ Church Cathedral, Dublin Castle, Kilmainham Jail, the Royal Hospital in Kilmainham, Drimnagh Castle the Phoenix Park and all these things are so close together - which obviously helped us achieve the huge undertaking in a very brief period of time.
The true beauty of the environment we had to shoot in - Dublin, Ardmore and Wicklow - is that, within a very small space, you have such a diverse and wealth of beautiful locations that are suitable for the portrayal of any environment and any period.
Ciarán Donnelly very much concurred with these sentiments and saw to it that he made use of all the locations he could:
CD: One of the only things Showtime wanted was that we kept the camera moving and that ‘The Tudors’ wouldn’t be a group of talking heads in the same room for long periods of time. So you keep the camera moving, come up with interesting blocking, do your best to remove scenes from interior set locations to the outside world which, of course, is the whole point of television. With Ardmore in Bray, Wicklow, just being down the road and with Christ Church in town and all the other stunning locations that we have been able to shoot in being so close, it is up to the director to get the production out and about and fight for that.
When you look at the first episodes of series three you will see absolutely that this happened, it is a hugely exterior show. Also, in episode nine and ten of the fourth series you’ll see that I get out quite a lot. I think what you can do every once in a while is say “instead of shooting these (what we call pretty council meeting scenes) on a certain set let’s move that out to the Royal Chapel in Dublin Castle” which we do and it’s much more beautiful and it feels different. Now clearly nobody loved me for it from a cost point of view but at the end of the day the audience loved and that is the most important thing.
And did any of the locations used filming The Tudors specifically stand out?
ES I couldn’t pick out one because we all had such a good relationship with each of the locations. That said I think the locations we picked for season four, when they come out on television next year, will all look stunning and I think some of the scenes we hadn’t achieved before - because they weren’t in the script, or for whatever reason - will now appear because the fourth season allowed us to do so much – and I mean that for all the elements like the costumes, set decorating, the design, special effects and the visual effect, I think this fourth series is going to look particularly amazing on screen.
Was the use of a green screen instead of real locations ever considered to cut down on cost?
The Tudors on location
ES: I think that in this era the audience is very savvy and I think when you have those large elements and hugely impressive buildings available it’s a crime not to use them. I don’t think you could ever recreate places like Dublin Castle, Christ Church Cathedral or any physical element like that. I think that’s obvious when you are shooting inside there and I think just the tangibility of it is what sells it.
On a slight aside, does Edmund feel that Irish location managers have a responsibility to promote the use of Irish locations whenever possible?
ES: I think that responsibility rests on the location manager when producers or other people involved are undecided or considering whether their particular project is going to be achievable in Ireland and I think the huge responsibility of the location manager is to put a package together to sell Ireland to foreign investors and producers when they arrive over. I think that is where our responsibility is and it is a big responsibility. The very gratifying thing is that Showtime went from going to looking at locations in Canada, New York and Los Angeles before coming over and settling on Dublin and believing that it could be achieved in Dublin.
‘The ‘Tudors’ series started off as we were still enjoying carefree Celtic Tiger days, did any of the team experience a tightening of their respective belts for the last two series?
ES: Well, ultimately our industry is not unlike any other industry and there are restrictions when you are renting or hiring goods. There is more competitiveness out there now and people are reducing their prices so when going to places to hire or rent there is more negotiation there, you phone around and you get the best price and those prices have come down. That said, over the last four years we have built up a relationship with our location owners and the likes of the OPW and various county councils and it’s worked very well. The fees that have been negotiated have always been mutually acceptable.
MH: Funnily enough I think it was the collapse of the dollar in the third series affected us more in that, as a result, we could only do eight episodes rather than ten. Apart from that we haven’t been affected by the Irish recession in the sense that we were getting funding from America. The show was a Canadian / Irish co-production so we didn’t have all our eggs in one basket, but having said that, as it turned out we were fantastically lucky to start when we did. I felt that what we have done is give value for money. All the money that is spent on The Tudors is as they say “up there on the screen” and it will and is bringing its rewards and profits. I think even now it is in profit which is very unusual for a series that is still going.
Let me also say this - I was conscious that we were bringing employment and opportunity to quite a large number of people in Ireland and I think it will be missed because it is not just the three hundred or so people who were directly working on it, the actors which we took off the Irish stage but of course it’s the knock on effect on people like the drivers, the hotels and the restaurants. Someone told me that there were over four hundred and fifty speaking parts in The Tudors, many of whom were Irish. It will definitely be felt, it was a little industry in the end touching many parts of life in Ireland.
This sense of loss is, no doubt, currently reverberating through the show’s cast and crew, the series was a huge boost to the Irish industry and provided work for hundreds of Irish people. With such a large cast and crew involved in this ‘little industry’ there were surely some difficulties encountered as production went on?
For director Ciaran Donnelly: Executions are, logistically, very tricky, I have done quite a few of those and because there are things involved like axes and people getting their heads cut off and usually you have a big crowd, big visual effects and tricky material and those days can be logistically tricky and its all down to the planning. You have to plan it shot by shot and storyboard it, everybody needs to know exactly what it is you are trying to achieve in each shot. There was never a time when I thought “this is impossible”. Usually the biggest problem is time.
And for Location Manager Edmund Sampson: What’s problematic for me is the elements, and the lack of control you have over the elements. When you are filming in a very exposed environment you are dictated by the uncontrollable elements of the weather, those are things you would be quite nervous about. The difference between filming in a wet, muddy and inhospitable environment and a nice sunny day or a dry environment is huge. So when you are going into environments like that you do pray for dry weather because just trying to get the size of our crew and equipment around within a scenic environment it is very tricky without being up against additional elements. It’s just exhausting for everyone.
Michael Hirst & Morgan O'Sullivan wireimage
Executions, bad weather and time. But it is apparent that the positive aspects of working on ‘The Tudors’ far outweighed working in Ireland’s less-than-tropical climate. Michael Hirst has fond, if somewhat alternative, memories of the series’ shoot:
Michael Hirst: Many highlights and of many kinds. One of those is the flat or house in Dalkey that the production rented me during each shoot, the building would always be on the sea so when I think of ‘The Tudors’ I always think of the sea. There is very little sea in the production but I have spent many, many hours sitting at a desk looking out over the ocean in Dalkey and dreaming of characters and their lives. I suppose the camaraderie of the crew and cast was continuous and is still continuing - it was wonderful, the craic and the laughter. And of course many, many great scenes with wonderful performances.
I also got to see my life come full circle; in the third series the story was partly about a rebellion against Henry’s reign, called the Pilgrimage of Grace, and this started in Yorkshire which is were I come from. We shot a lot up in Sally’s Gap and Wicklow mountains to portray parts of Yorkshire and I would go up to the top of the mountains and think “Yes, this looks like part of my childhood, this will pass for Yorkshire, this is great”. So for me it was like coming home, it connected me to the two landscapes in a very deep way and I am glad to say that I slightly regard myself as an honorary Irishman now. As someone said “You can be Irish Michael because you are the only English man we know who cries”.
CD: In the second season I shot all the scenes of Peter O’Toole when he was playing the Pope. Basically we had to shoot Peter within a week so they wanted just one director which meant that one director shot all the scenes across the various episodes. It was a huge highlight to work with the same Peter O’Toole who played Laurence of Arabia three years before I was even born, it was pretty smashing I have to say. I did some great work with Jonathan Ryes Myers too, particularly the last two episodes - I don’t know if I should be giving any of this away but I have to say that I think Johnny has done his finest work in the series in the final two episodes.
It was really interesting how he finished the series because Michael wrote a scene and I looked at it and said “Can we do this instead, it kind of means the same thing but it’s different”. He looked at it and said “Yes, ok” and we filmed all that in the last few days and we all just had our socks blown off by the visual aspects of it - by how Johnny was playing in it. It definitely ended on a high from our point of view.
ES: I think the highlight is when you have gone through all the discussions with all the various departments and everybody walks in on the morning of the shoot and sees what they have talked about suddenly come to life in front of them and to see the production come together in such a successful fashion that ‘The Tudors’ has been over the last four years. The most gratifying aspect of the whole season for us all is that the fact that this has not been presented to anybody previously and it is something that hasn’t been achieved previously in Ireland and now, through all departments and through the assistance of the location owners, the Gardaí and the Fingal County Council we have produced a product that is a mammoth hit internationally and has recognised Irish talent, Irish actors, Irish locations and Irish crew on the international scale. We are recognised now as a top professional crew that can achieve high end coached drama as well as feature film drama.
Michael Hirst has been writing storylines for ‘The Tudors’ since 2006 and most of the cast and crew have been involved with the project since 2007. Working in such a tightly knit group and dealing with the same core characters for such a long time will clearly make for many tearful farewells. Was it as hard to say ‘Goodbye’ to real friends made over the years as it was to bid ‘Adieu’ to the fictitious personalities?
CD: Yes, it’s an unusual thing to have to do. It is quite a mixed bag of emotions I suppose. I don’t think people are sad about the characters as such but I think when you have been working on a show like this with the same crew and more or less the same cast over four years it’s kind of the end of a family, the Tudor family and an Irish film crew family. People do become very connected and bonded over that period of time when they work so closely together
MH: It is very difficult. It was tremendously difficult for me to write the last episode to say goodbye to a lot of the characters when they died. They have been my companions, a lot of them for more than four years about six years, and it’s always been a great thrill, a pleasure to come to my study here every morning and find out what they have been up to and what they are doing. They talk to me - I don’t mean that I am mad and they literally talk to me – but they are very real in my head and it is difficult to have that stop now. I am going through some sort of withdrawal symptoms now, it is very difficult for me to live in the world without them but of course I have to pass onto new things but this has gone on for years so I do dream about them as well as think about them on a daily basis. What it means, essentially, is that they are fantastically real to me.
Fans of the characters, plotlines, luscious scenery (and the approximately 450 speaking parts) that ‘The Tudors’ brought to our shores will say ‘Goodbye’ themselves when the final episodes broadcast next year but, on quite an optimistic note, Michael tells us a bit about ‘Camelot’, his new adventure with Morgan O’Sullivan.
MH: We are working on Camelot which we hope to do in more or less the same way at Ardmore and if we get our own way have the same crew and set up. It will be a larger production simply because of the scale piece and I have written the first few episodes, and we have started to cast. Nothing is set in stone yet but we are quietly confident of doing it. It has been a project I have wanted to do as far as I can remember. In fact when I was a boy in rural Yorkshire walking to school something I always wanted to see was a knight in armour coming round a bend so I might get to see that finally.
Morgan and I are constantly plotting, inspiring, thinking and dreaming of the things we can do because we have liked it so much. It’s not just the success of ‘The Tudors’ it is something deeper, something more. Relationships in the film industry are usually simply ruthless and temporary but the people at the centre of ‘The Tudors’ production have made real and lasting friendships. It was an experience that we would all like to repeat as soon as we possible so that is what Morgan and I are working towards.
On a simple but touching final note Michael Hirst says of ‘The Tudors’ “I think I can honestly say that it is the one thing that I have ever written that looks better on screen than it did on my imagination and that is even including Elizabeth.”
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Отправлено: 18.12.09 00:06. Заголовок: The Tudors The fourt..
The Tudors The fourth and final season of The Tudors will cover the final two wives of Henry VIII [Jonathan Rhys Meyers] and his dying days as King of England. The series has so far covered the downfall of Catherine of Aragon [Maria Doyle Kennedy], the beheading of Anne Boleyn [Natalie Dormer], Cardinal Wolsey [Sam Neil], Thomas More [Jeremy Northam] and Thomas Cromwell [James Frain] all fall foul of the King and died as a result. In the final series we’ll see his relationship with Catherine Howard and another Queen losing their head followed by his marriage to Catherine Parr – his final wife and along with Anne of Cleves the only ones to outlive the tyrant King. We’ve loved The Tudors blend of historical drama mixed with Dallas/Dynasty style plotting, betrayal and politics and we’ll be sad to see it end. We do hope however, that there’s room in the fourth season for the return of Peter O’Toole as the Pope whose brief appearances in the second season were a delight to watch. Perhaps also the producers of The Tudors will consider a spin-off which follows Mary’s [Sarah Bolger] reign – okay so it’ll have to skip over Edward’s reign but the character of Mary, dubbed Bloody Mary by some historians, is a fascinating one which has hardly been touched upon. Instead dramas tend to focus on her father and sister, Elizabeth, rather than her short-lived but bloody, dark and turbulent reign. http://www.atvnewsnetwork.co.uk/today/index.php/atv-today/1928-looking-ahead-to-2010-what-to-look-forward-too
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Отправлено: 14.02.10 15:11. Заголовок: С 11 апреля начнут п..
С 11 апреля начнут показывать последний сезон Hard to believe that the excellent period drama "The Tudors" is wrapping after this season, but Henry is running out of wives, and sadly we cannot go back an add some to keep this series going.
The Final Seduction begins Sunday, April 11th at 9 PM ET/PT only on Showtime.
There is much to savor for season four of “The Tudors”; the performances are all keenly delivered and nearly upstage the immensely talented Irish star of the series, Jonathan Rhys Meyers, with their well-written and enacted ensemble work.
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Отправлено: 26.03.10 08:42. Заголовок: Catch up on Showtime..
Catch up on Showtime's "The Tudors" as final nears
"The Tudors" returns for its fourth season at 9 p.m. April 11.
I didn't start watching Showtime's series "The Tudors" until about midway into season two, about the time Ann Boleyn lost her pretty head.
But the violent and fleshy series quickly became a habit. It's not great television but it's interesting and entertaining and seems to stay fairly close to the historical record most of the time.
Now, with "The Tudors" about to return for its fourth and last season, which debuts April 11, old episodes are available on Comcast's view-on-demand channel.
So I'm deep into season one and intend to catch up in time for the last season and the last two of Henry's six wives. His last will be played by the always interesting Joely Richardson.
In the voiceover that runs over the show's credits, Jonathan Rhys Meyers, who plays Henry, says that to appreciate a story you need to go back to the beginning.
That's a little misleading.
Henry became king in 1509, when he was 17. The series appears to begin in the mid-1520s, when Henry would have been in his early 30s.
In the early episodes, Henry is still an attractive figure, youthful, athletic, somewhat idealistic.
He's willful and randy. But he hasn't turned into the monster who would send two wives and many former friends and advisors to the chopping block.
Once the series gets going that doesn't take long.
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Отправлено: 29.03.10 07:34. Заголовок: "The Tudors"..
"The Tudors" returns for its fourth and final season on Sunday, April 11 at 9 p.m. on Showtime.
In the last season, we watched as King Henry VIII's ( Jonathan Rhys Meyers) relationships with Jane Seymour (Annabelle Wallis) and Anne of Cleves (Joss Stone) crumbled. He suppressed protests over England's break with Rome and the season ended with the execution of his chief minister, Thomas Cromwell (James Frain).
The final season will feature Henry's last two wives, Catherine Howard (Tamzin Merchant) and Catherine Parr (Joely Richardson). We also hear that Rhys Meyers will be losing his boyish good looks via prosthetics and graying hair to more accurately portray Henry in his older, tubbier years as he further descends into madness.
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Отправлено: 06.04.10 22:19. Заголовок: Ellen Gray: 'Tud..
Ellen Gray: 'Tudors' back with King Henry & his wives
By Ellen Gray Philadelphia Daily News
Daily News TV Critic
THE TUDORS. 9 p.m. Sunday, Showtime.
As Showtime's "The Tudors" heads into its fourth and final season on Sunday, I've been thinking a lot about Katherine Howard and Jesse James.
The fifth wife of Henry VIII and Sandra Bullock's soon-to-be-ex might not have hit it off if they'd met: History records no tattoos for the doomed teenage queen, who's nonetheless been stamped a tramp for centuries.
Yet on the surface they both seem to have lived dangerously.
That James' stunt-filled Spike series, "Jesse James Is a Dead Man," hasn't actually touched on the perils of screwing around on one of America's sweethearts doesn't make the title less apt.
Fortunately, we don't execute people in this country for adultery these days. We don't even banish them from golf courses.
Which makes the young queen, played by Tamzin Merchant in "The Tudors" as a sexy and only occasionally endearing dimwit, the real daredevil.
Howard, who married a king who'd already executed her cousin, Anne Boleyn, on charges, probably trumped up, of adultery and incest, proceeded to sleep with one of her new husband's own men, a decision that in retrospect seems akin to a young girl's accepting a ride in Ted Bundy's Volkswagen with full knowledge of his past crimes.
I hope it's giving nothing away to say that Katherine won't be with us for the whole season.
I've occasionally been lukewarm in my enthusiasm for "Tudors" creator Michael Hirst's interpretation of Henry's life and times and critical of Showtime's insistence on telling sometimes monstrous stories in the prettiest possible way.
And maybe something is lost in our not seeing the aging king as the corpulent being he's said to have become by the time he married someone young enough to be his daughter. A mildly padded Jonathan Rhys Meyers, even with a festering sore on his leg, still makes for a pretty good-looking king.
But I've come to admire Hirst's sex-charged costume drama for its deft blending of gossip and governance. Henry's six wives still form the thread of the narrative, just as they always have, but it's impossible to have stuck with "The Tudors" for this long and not learned a great deal about the nuts and bolts of monarchy and about the forces beyond sexual desire that drove the man to do the things he did.
I wouldn't recommend taking every word of "The Tudors" as fact, much less citing it in a term paper, but as historical fiction, it's proven remarkably robust.
(Next up on Showtime from Hirst, who's written every episode of "The Tudors": "The Borgias," created by "The Crying Game's" Neil Jordan and with Jeremy Irons as the patriarch of the notorious Renaissance dynasty.)
Perhaps Rhys Meyers' refusal to morph into the trademark Hans Holbein portrait of his character has freed him to focus on Henry's less physical traits, from his quick wit to his quicker temper. Season 4 finds him signing death warrants right and left, and you quickly realize that a man doesn't have to be physically imposing to be terrifically frightening.
Joss Stone returns as Henry's discarded fourth wife, Anne of Cleves, a woman bright enough to know a narrow escape when she sees one. It seems to be a relief to Henry when they see each other again, and it may be a relief to viewers, too.
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Отправлено: 06.04.10 22:20. Заголовок: Джонатан рад распрощ..
Джонатан рад распрощаться с Тюдорами Jonathan Rhys Meyers: 'I'm Glad to Say Goodbye' to Tudors by Jeanne Wolf Jonathan Rhys Meyers returns as Henry VIII in the final season of Showtime's The Tudors. The handsome Irish actor has made the 16th century royal a sexy, as well as powerful, ruler.
Parade.com's Jeanne Wolf found out how Rhys Meyers feels about leaving the throne.
Ready for the end. "I'm glad to say goodbye. It's nice to say goodbye to things. Its funny, I made a movie with Anthony Hopkins 10 years ago and he said one of his favorite parts of making films was going on to the next thing. It's like the death of one thing but the beginning of another. I had the best time doing the series and Henry was one of the best parts I've ever played. And in this final season he becomes an older man which was a bit more challenging because it took some prosthetic make-up."
His review of the king. "I think he makes great television, but in the final analysis, he was not a great monarch. He was wracked with ego, vanity and thoughts of his own divinity. Absolute power corrupts absolutely, so he was very corrupt. I have a degree of admiration for him, but not much. Basically, he was a bastard, but an interesting and attractive bastard."
Speaking of attractive. "He was a lot heavier and taller than I am, but so what? I think I'd have been stupid to put on a fat suit and I wasn't about to gain a lot weight. But I think Henry was better looking than he was portrayed in the classic portrait by Hans Holbein. I think he would have hated it. It may be great art, but it's not a good picture. I've seen fat, ugly pictures of Brad Pitt because some paparazzi got him from a bad angle on a bad morning. So how would he feel if that were the sole image of him that would be seen by future generations? He'd be going, 'What the hell? I was a great looking guy.'"
Love among the royals. "It certainly has been a driving force in the series, but I don't think they thought of love in the same way as we think of it today with all the romantic overtones. We put so much emphasis on finding the right person. It's like, 'If you don't get this guy or if you don't get this girl, you're not cool, you're a loser.' In Henry's time it was, 'If you don't have this kingdom and if you don't have that castle, who cares about the girl?'"
See photos of Film Stars Turned TV Stars
But they didn't skip the sex. "Some people think we've overdone it, but they were much more sexually gregarious in the 15th century than we are today. Sex was very, very important. It's what you did when the sun went down. So we couldn't leave out the scenes of passion."
As for getting passionate on the set. "Actually, it's not unpleasant to get it on with beautiful actresses and you don't have any nasty repercussions afterward. To make it work, you have to experience a little sexual chemistry. But it can be a bit taxing when you're doing sex scenes in front of a crew of like a hundred people under hot lights with cameras poking into all sorts of private areas."
Go ahead and call him a hot hunk. "I'd rather people think I'm sexy than not. Let's be honest. Physicality is going to have a bearing on the parts you get. And if you think differently, you're in the wrong business."
Henry might have loved the Internet. "We live in a very, very fast world, and Henry's court at the time was the fastest in the world. If you weren't in Henry's court you were nobody. Everything revolved around him. It was the be all and end all. It was the place to be. It was the Mecca of learning. It was the Mecca of style. It was the Mecca of fashion. It was the Mecca of entertainment. That's why he was kind of like the rock star of his time." http://www.parade.com/celebrity/celebrity-parade/2010/0406-jonathan-rhys-meyers-tudors.html
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Отправлено: 24.04.10 16:42. Заголовок: This week, "The ..
This week, "The Tudors" sees King Henry VIII (Jonathan Rhys-Meyers) begin to rue his decision to marry the silly 17 year-old Catherine Howard. The frivolous queen has already made enemies with Henry's pious daughter Mary, and now has her eye on the cruel and rakish Culpepper who is courting her surreptitiously.
Introduced to the King by Cromwell, Lutheran German-born Anne of Cleves (Joss Stone) was the fourth queen prior to Catherine, and an irate Henry divorced her, greatly displeased by her appearance.
Yet it was time that softened Henry's initial dislike and he grew to love her, and was quite fond of her company. She was given great respect, wealth and deference by the court per the King's orders.
In this upcoming episode of "The Tudors" on Showtime this Sunday, April 25, Henry makes a surprise visit to Anne of Cleves and Lady Elizabeth.
A more benevolent Henry VIII forgives the citizens of the North for their rebellion against him, while the youthful wife Catherine he dotes upon begins a passionate affair with Culpepper. The "doting" begins to wane.
At the time of her death years later, Anne of Cleves had become a Catholic.
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Отправлено: 25.04.10 22:14. Заголовок: Not every princess’ ..
Not every princess’ life is a fairy tale.
Irish actress Sarah Bolger (“The Spiderwick Chronicles”) plays the dour teenager Princess Mary, King Henry VIII’s eldest child, on Showtime’s “The Tudors,” tonight at 9.
“She is a woman who has been cursed, abandoned at such a young age. She is an old youth in many ways,” Bolger told the Herald during a telephone interview.
Henry’s (Jonathan Rhys Meyers) quest for a male heir prompted him to cast aside Mary’s mother, Catherine of Aragon, and put the young princess’ claim to the throne in limbo for years.
“She was princess, then Lady Mary. She was just cooped up in this house outside of England, not close to her father’s throne. She was the minder of (half-sister) Elizabeth,” Bolger said.
In this fourth and final season of “The Tudors,” Mary is faced with perhaps the biggest insult to date: her father’s marriage to teenage trophy wife Catherine Howard (Tamzin Merchant).
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Отправлено: 22.08.10 11:47. Заголовок: Итак вчера прошло на..
Итак вчера прошло награждение Эмми и Тюдоры получили две награды OUTSTANDING COSTUMES FOR A SERIES OUTSTANDING ART DIRECTION FOR A SINGLE-CAMERA SERIES Поздравляю!
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